MAGNA CHARTA Франка і Лесьмяна у світі наукових аспірацій 2016-2019

The author signaled the current state of the study of the problem, outlined its main counterpoints, which manifested itself during 2016-2019, when the attention of the world of culture was more alert to the work of Ivan Franko and Boleslaw Lesman. The article outlines further prospects for studying magna charta. The creativity of Frank and Leshman in European and world culture is a special phenomenon. To both Frankie and Lesmanian, fate has taken the same tide of earthly time - 60 years. Almost coincided in time and their significant dates. The year 2016 was made known as the year of Ivan Frank: 160 years since his birth and 100 years since his death. 2017 - in spite of fears that this year will not be Lesmian's year - was marked by the 140th anniversary of Boleslaw Lesmian's birthday and the 80th anniversary of his death. Ivan Franko International Congress on the motto "I am a prologue ..." in Lviv, September 22, 2016, International Scientific Conference "Ivan Franko and Polish Literature" October 13-14, 2016 - these scientific forums exposed the prospects of historical, comparative, psychoanalytic, metaphysical comprehension of Frank's word. The Warsaw and Kiev international conferences on Lesman's work opened up new horizons for researchers. Using the category of semantic dominance of the poetic work introduced by Stanislav Baranchak, one can get closer to understanding the mysterious power and lyrical drama "Faded Leaves" of the Ukrainian poet, and poems about love - the poet of Poland. Thanks to their amazing talent, they both, using Anna Yanko's definition here, made their poetry "a love of cosmic power while simultaneously ruthlessly exposing it." Magna Charta in the creativity of both artists is rooted in the plane of Baroque and Baroque concepts. It is here that we find consonant algorithms that have determined the immortality of the words of both comrades - mysticism, voluptuousness, lyricism, nationality. The author of the article discusses with R. Radyshevsky's thesis that the images of Leshman's love affair were not specific and isolated, but rather archetypal. To refute, he cites the work of Leshman, marked by a halo of a particular person, in his own translation - one of the collection "The Best Poems about Love".