„...Bo wiedział, że dopuściłem się żartu”. O Mężu i żonie Aleksandra Fredry w reżyserii Bohdana Korzeniewskiego z 1949 roku

The theme of this paper is Aleksader Fredro’sHusband and wife– oneof the most valued performances in the works of Bohdan Korzeniewski.The author reconstructs the actual performance based on reviews, directorcomments and remarks preserved in the prompter’s copy and proves thatsuperimposing these perspectives shows the emancipatory potential ofstage play. The author concludes that interpretingHusband and wifeina libertine spirit matches Korzeniewski’s directing strategy which can bedescribed as Wallenrodic.