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Discursiveness of art as a philosophical problem

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dc.abstract.enIs it still possible to speak of an opposition of linguistic discourse and art after the notions of language, as well as discourse and the discursive have undergone a significant reformulation and expansion? To answer this question, I distinguish between the notions of discourse and the discursive. I transpose this distinction onto the level of reflection on art as one of signifying practices. I show how the deconstruction of Western discourses on art is accompanied by the recognition of discursiveness of art by Heidegger, Derrida and Marin; like Merleau-Pointy, I search for the conditions of significant production underneath or “before” historically establi-shed discourses, expanding the idea of discursiveness of art in the sense that I adopt. I connect Lyotard’s concept of visuality with the understanding of discursiveness of art that I propose: as a field of productivity of meanings, a primary impulse of discourse; the thing that enables spe-aking and imaging, without which speech and image are impossible.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorLorenc, Iwona
dc.date.accessioned2024-01-24T21:55:03Z
dc.date.available2024-01-24T21:55:03Z
dc.date.issued2021
dc.description.financePublikacja bezkosztowa
dc.description.volume23
dc.identifier.doi10.26485/AI/2021/23/2
dc.identifier.issn1641-9278
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/104993
dc.identifier.weblinkhttp://czasopisma.ltn.lodz.pl/index.php/Art-Inquiry/article/view/1477/1344
dc.languageeng
dc.pbn.affiliationphilosophy
dc.relation.ispartofArt Inquiry
dc.relation.pages29-47
dc.rightsClosedAccess
dc.sciencecloudnosend
dc.titleDiscursiveness of art as a philosophical problem
dc.typeJournalArticle
dspace.entity.typePublication