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Problem of identity and changes in the art of the contemporary Tibetan artists from Lhasa on the example of paintings by Gade

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dc.abstract.enThe following study aims to describe the transformation of contemporary Tibetan art in Lhasa in correlation with the ever-changing understanding of national identity. This phenomenon can be divided into two phases. During the first phase, lasting for around twenty years since the 1980s, the artists were mostly concerned with the restoration and re-discovery of traditional Tibetan culture. In the second stage, lasting until now, the focus shifted towards the critique of the modern world and the influence that the Cultural Revolution had on the lives of Tibetan people. This subject is presented through the art of Gade. Selected works have been described in detail and analyzed, illustrating the various issues brought up in the article.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorKoniuch, Paulina
dc.date.accessioned2024-01-25T18:03:15Z
dc.date.available2024-01-25T18:03:15Z
dc.date.issued2020
dc.description.accesstimeAT_PUBLICATION
dc.description.financePublikacja bezkosztowa
dc.description.versionFINAL_PUBLISHED
dc.identifier.issn0033-2283
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/117089
dc.identifier.weblinkhttps://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.desklight-264138b5-5e3f-4f18-9534-3d92a416f568
dc.languageeng
dc.pbn.affiliationculture and religion studies
dc.relation.ispartofPrzegląd Orientalistyczny
dc.relation.pages310-319
dc.rightsCC-BY
dc.sciencecloudnosend
dc.subject.enidentity, nationalism, contemporary Tibetan art, Gade, Tibet Autonomous Region
dc.titleProblem of identity and changes in the art of the contemporary Tibetan artists from Lhasa on the example of paintings by Gade
dc.typeJournalArticle
dspace.entity.typePublication