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Przyszłość już była. Dystopie w najnowszym kinie science fiction Ameryki Łacińskiej

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dc.abstract.enThis paper examines the various ways in which contemporary Latin American science fiction films contest the neocolonial and neoliberal narratives, dominant in the region since the 20th century. I identify and examine strategies that filmmakers employ to challenge the common understanding of such notions as time, modernity and technological progress. I outline the visions of dystopias presented in the examined films, while also analyzing the counter-narratives introduced by filmmakers, which are mostly focused on creating a new, hybrid identity for a future citizen.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorRACIĘSKI, BOLESŁAW
dc.date.accessioned2024-01-25T18:38:11Z
dc.date.available2024-01-25T18:38:11Z
dc.date.copyright2021-03-31
dc.date.issued2020
dc.date.openaccess3
dc.description.accesstimeAFTER_PUBLICATION
dc.description.financePublikacja bezkosztowa
dc.description.number37
dc.description.versionFINAL_PUBLISHED
dc.description.volumeXXVIII
dc.identifier.doi10.14746/I.2020.37.10
dc.identifier.issn1731-450X
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/117510
dc.identifier.weblinkhttps://pressto.amu.edu.pl/index.php/i/article/view/27649/25121
dc.languagepol
dc.pbn.affiliationarts studies
dc.relation.ispartofImages (Poland)
dc.relation.pages167-175
dc.rightsCC-BY
dc.sciencecloudnosend
dc.subject.endystopia, Latin American Cinema, neocolonialism, neoliberalism, science fiction
dc.titlePrzyszłość już była. Dystopie w najnowszym kinie science fiction Ameryki Łacińskiej
dc.typeJournalArticle
dspace.entity.typePublication