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Shakespeare’s curtain: The stage revealed or the stage re-veiled?

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cris.lastimport.scopus2024-02-12T18:59:53Z
dc.abstract.enThis article takes advantage of Jean-Luc Marion’s post-phenomenological reflection in order to analyse the different modes of seeing and looking suggested in William Shakespeare’s plays. It highlights the difference between the indoor stage, where the audience’s attention is focused on the lighted and framed space of the stage, and an open-air performance, which struggles to wrest attention from the spectator’s gaze. A theological turn in the argument accounts for the transition from the description of a concealment/discovery space in Elizabethan theatre to what the author defines as the ‘space of revelation’ recreated in contemporary theatre.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorGrzegorzewska, Małgorzata
dc.date.accessioned2024-01-26T07:34:59Z
dc.date.available2024-01-26T07:34:59Z
dc.date.copyright2019-04-11
dc.date.issued2019
dc.description.accesstimeBEFORE_PUBLICATION
dc.description.financeNie dotyczy
dc.description.number1
dc.description.versionFINAL_PUBLISHED
dc.description.volume99
dc.identifier.doi10.1177/0184767819835557
dc.identifier.issn0184-7678
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/119703
dc.identifier.weblinkhttps://journals.sagepub.com/doi/pdf/10.1177/0184767819835557
dc.languageeng
dc.pbn.affiliationliterary studies
dc.relation.ispartofCahiers Elisabethains
dc.relation.pages13-22
dc.rightsOther
dc.sciencecloudnosend
dc.subject.enphenomenology, theatre, visibility, curtain, discovery space
dc.titleShakespeare’s curtain: The stage revealed or the stage re-veiled?
dc.typeJournalArticle
dspace.entity.typePublication