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Postmodern Music and its Future

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cris.lastimport.scopus2024-02-12T20:53:59Z
dc.abstract.enThe essay presents an attempt at characterizing contemporary music’s culture by identifying a dialectical tension between “modern” and “postmodern” currents in it. After initial considerations on the manifold usages of the term “postmodernism,” five composers’ approaches will be analyzed: John Cage, Philip Glass (and other minimalists), Bernhard Lang, Mauricio Kagel and Johannes Kreidler. However different they may be from one another, all these composers are being interpreted as undermining, in various ways, the practice and theoretical background of modernist avant-garde music.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorRychter, Marcin
dc.date.accessioned2024-01-25T17:16:49Z
dc.date.available2024-01-25T17:16:49Z
dc.date.copyright2019-10-31
dc.date.issued2019
dc.description.accesstimeAT_PUBLICATION
dc.description.financeNie dotyczy
dc.description.number3
dc.description.versionFINAL_PUBLISHED
dc.description.volume3
dc.identifier.doi10.14394/EIDOS.JPC.2019.0030
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/116618
dc.identifier.weblinkhttp://eidos.uw.edu.pl/postmodern-music-and-its-future/
dc.languageeng
dc.pbn.affiliationphilosophy
dc.relation.ispartofEidos. A Journal for Philosophy of Culture
dc.relation.pages43-56
dc.rightsOther
dc.sciencecloudnosend
dc.subject.enphilosophy of music
dc.subject.enphilosophy of culture
dc.subject.enpostmodernism
dc.subject.enavant-garde music
dc.subject.encontemporary music
dc.titlePostmodern Music and its Future
dc.typeJournalArticle
dspace.entity.typePublication