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Time and Memory. Roman Ingarden’s Concept of the Order of Sequence in a Literary Work of Art in View Francsco Valera’s Neurophenomenology, and Shaun Gallaghar Front Loading Phenomenology
dc.affiliation | Uniwersytet Warszawski |
dc.contributor.author | Ulicka, Danuta |
dc.date.accessioned | 2024-01-26T10:53:39Z |
dc.date.available | 2024-01-26T10:53:39Z |
dc.date.issued | 2021 |
dc.description.accesstime | AT_PUBLICATION |
dc.description.finance | Publikacja bezkosztowa |
dc.description.number | 3 |
dc.description.version | FINAL_PUBLISHED |
dc.description.volume | 58 |
dc.identifier.issn | 2072-9316 |
dc.identifier.uri | https://repozytorium.uw.edu.pl//handle/item/123431 |
dc.identifier.weblink | http://slovorggu.ru/2021_3/58.pdf |
dc.language | eng |
dc.pbn.affiliation | literary studies |
dc.relation.ispartof | Novyi Filologicheskii Vestnik-New Philological Bulletin |
dc.relation.pages | 33 – 51 |
dc.rights | Other |
dc.sciencecloud | nosend |
dc.title | Time and Memory. Roman Ingarden’s Concept of the Order of Sequence in a Literary Work of Art in View Francsco Valera’s Neurophenomenology, and Shaun Gallaghar Front Loading Phenomenology |
dc.type | JournalArticle |
dspace.entity.type | Publication |