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Mallarmé et les paradoxes de la vanité

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cris.lastimport.scopus2024-02-12T19:50:08Z
dc.abstract.enThis article analyses a polysemous term of vanity in Mallarmé’s idea and œuvre. This concept shows paradoxes of Mallarmé’s creation: a misunderstood poet accused of being vain who was torn between the dream of glory and the self-devaluation. It was in the autoreflexive art par excellence, where Mallarmé saw his satisfaction and found the sense of life. After the experience of spiritual crisis and the discovery of worthlessness of language, Mallarmé, finding in the Nothingness the resources of poetry, decided to extend the illusion of literature. “Digging into the line”, he built the poetics of vanity which is a synonym of futility or void where the sense of word is replaced by the language sonority. What is more, while fighting against the poetic impotence, Mallarmé, due to writing about Vanitas, immersed into death to create an “ideal tomb” for his late son.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorOpiela-Mrozik, Anna
dc.date.accessioned2024-01-25T05:31:59Z
dc.date.available2024-01-25T05:31:59Z
dc.date.issued2018
dc.description.financeNie dotyczy
dc.identifier.doi10.31743/QL.3485
dc.identifier.issn2084-8099
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/111742
dc.languagefra
dc.pbn.affiliationliterary studies
dc.relation.ispartofQuetes litteraires
dc.rightsClosedAccess
dc.sciencecloudnosend
dc.subject.enMallarmé
dc.subject.envanity
dc.subject.ennothingness
dc.subject.envoid
dc.subject.endeath
dc.titleMallarmé et les paradoxes de la vanité
dc.typeJournalArticle
dspace.entity.typePublication