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Masterpieces, Altarpieces, and Devotional Prints: Close and Distant Encounters with Michelangelo’s Vatican Pietà

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cris.lastimport.scopus2024-02-12T20:01:37Z
dc.abstract.enFocussing on the response to the Vatican Pietà and perversely using as a point of departure a 1549 remark on Michelangelo as an ‘inventor of filth,’ this article aims to present Michelangelo as an involuntary inventor of devotional images. The article explores hitherto unconsidered aspects of the reception of the Vatican Pietà from the mid-sixteenth into the early seventeenth century. The material includes mediocre anonymous woodcuts, and elaborate engravings and etchings by renowned masters: Giulio Bonasone, Cornelis Cort, Jacques Callot and Lucas Kilian. A complex chain of relationships is traced among various works, some referring directly to the Vatican Pietà, some indirectly, neither designed nor perceived as its reproductions, but conceived as illustrations of the Syriac translation of the New Testament, of Latin and German editions of Peter Canisius’s Little catechism, of the frontispiece of the Règlement et établissement de la Compagnie des Pénitents blancs de la Ville de Nancy—but above all, widespread as single-leaf popular devotional images
dc.affiliationUniwersytet Warszawski
dc.contributor.authorJurkowlaniec, Grażyna
dc.date.accessioned2024-01-25T05:33:57Z
dc.date.available2024-01-25T05:33:57Z
dc.date.issued2019
dc.description.financeNie dotyczy
dc.identifier.doi10.3390/REL10050309
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/111896
dc.languageabk
dc.pbn.affiliationarts studies
dc.relation.ispartofReligions
dc.rightsClosedAccess
dc.sciencecloudnosend
dc.subject.endevotional image Pietà Michelangelo Buonarroti reception
dc.titleMasterpieces, Altarpieces, and Devotional Prints: Close and Distant Encounters with Michelangelo’s Vatican Pietà
dc.typeJournalArticle
dspace.entity.typePublication