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Mroczne pejzaże miłości w stancach Agrippy d'Aubigné

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dc.abstract.enUnpublished until the nineteenth century, Le Printemps of Agrippa d'Aubigné, his poetic début, was corrected and amplified until the end of the life of the poet, that is to say for more than fifty years. It contains all the violence of Les Tragiques, but inscribed in the framework of neopetrarchist poetry. The purpose of this article is to highlight that the list of literary inspirations identified until now seems to have taken too little into account the influence of the renaissance reflection on the love melancholy that we find for example in the medical discourse of the time.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorKrawczyk, Dariusz
dc.date.accessioned2024-01-25T13:05:47Z
dc.date.available2024-01-25T13:05:47Z
dc.date.issued2018
dc.description.financeNie dotyczy
dc.description.volume52
dc.identifier.issn0065-1524
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/113035
dc.identifier.weblinkhttp://acta.wn.uw.edu.pl/2018/03/29/acta-philologica-52/
dc.languagepol
dc.pbn.affiliationliterary studies
dc.relation.ispartofActa Philologica
dc.relation.pages69-79
dc.rightsClosedAccess
dc.sciencecloudnosend
dc.subject.enAgrippa d’Aubigné
dc.subject.enpetrarchism
dc.subject.enFrench renaissance poetry
dc.subject.enlove poetry
dc.subject.enLe Printemps
dc.subject.enmelancholy
dc.subject.enmacabre
dc.titleMroczne pejzaże miłości w stancach Agrippy d'Aubigné
dc.typeJournalArticle
dspace.entity.typePublication