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On Waxworks Considered as One of the Hyperreal Arts: Exhibiting Jack the Ripper and His Victims

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dc.abstract.enThe article discusses one of the tropes present in the representations of the Whitechapel killer: the waxworks of either the killer or his victims. These images were shaped by contemporary attitudes: fromsensationalismin1888,throughthedevelopingmythandbusinessof‘JacktheRipper,’ to the beginnings of attention being paid to his victims. Examined are tableaus created from 1888 to current times, both physical and fictional twenty- and twenty-first-century texts encompassing various media, all of which may be located within the Baudrillardian realm of simulation. What they demonstrate is that the mythical killer keeps overshadowing his victims, who in this part of the Ripper mythos remain to a certain extent as dehumanised and voiceless as when they were actually killed.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorKrawczyk-Żywko, Lucyna
dc.date.accessioned2024-01-25T15:49:29Z
dc.date.available2024-01-25T15:49:29Z
dc.date.issued2018
dc.description.financeNie dotyczy
dc.description.number7 (2)
dc.description.volume54
dc.identifier.doi10.3390/H7020054
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/114897
dc.identifier.weblinkhttps://www.mdpi.com/2076-0787/7/2/54
dc.languageeng
dc.pbn.affiliationculture and religion studies
dc.relation.ispartofHumanities
dc.rightsClosedAccess
dc.sciencecloudnosend
dc.subject.enJack the Ripper
dc.subject.enrepresentation
dc.subject.ensimulacrum
dc.subject.envictims
dc.subject.enwaxworks
dc.titleOn Waxworks Considered as One of the Hyperreal Arts: Exhibiting Jack the Ripper and His Victims
dc.typeJournalArticle
dspace.entity.typePublication