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Vlogging Auschwitz: new players in Holocaust commemoration

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cris.lastimport.scopus2024-02-12T19:56:24Z
dc.abstract.enContent creators on YouTube have started documenting their visits to the Auschwitz-Birkenau State Museum in vlog form.This social media format has enabled influencers to assume the role of popular historian, endowing their trips with a sense of moral responsibility. Critical tools should be applied not only to content analysis but also to metadata and various methods of curating visibility on the platform. Additionally, mechanisms of self- promotion and the fate of official narratives of commemoration in an era of user-generated content are of interest.Is this new cohort of popular history practitioners a welcome development in the field of commemoration?
dc.affiliationUniwersytet Warszawski
dc.contributor.authorŁysak, Tomasz
dc.date.accessioned2024-01-26T11:49:43Z
dc.date.available2024-01-26T11:49:43Z
dc.date.issued2021
dc.description.financePublikacja bezkosztowa
dc.description.numberspecial issue
dc.description.volumespecial issue
dc.identifier.doi10.1080/17504902.2021.1979180
dc.identifier.issn1750-4902
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/124693
dc.identifier.weblinkhttps://www.tandfonline.com/doi/pdf/10.1080/17504902.2021.1979180
dc.languageeng
dc.pbn.affiliationculture and religion studies
dc.relation.ispartofHolocaust Studies A Journal of Culture and History
dc.relation.pages1-26
dc.rightsClosedAccess
dc.sciencecloudnosend
dc.subject.envlogging
dc.subject.encurating visibility
dc.subject.enpopular historian
dc.subject.eninfluencer
dc.subject.enAuschwitz-Birkenau
dc.subject.enHolocaust commemoration
dc.titleVlogging Auschwitz: new players in Holocaust commemoration
dc.typeJournalArticle
dspace.entity.typePublication