Artykuł w czasopiśmie
Brak miniatury
Licencja
ClosedAccessDostęp zamknięty
 

Terrified by the Close Other. Is the Postwar History of German Art Ready to Embrace "State Functionaries?

Uproszczony widok
dc.abstract.enThe article sets out to investigate the fundamental problem for the methodology of postwar German art history, namely, the unavoidable fusion of two markedly different perspectives, i.e., those of East and West Germany, into a coherent narrative. The reconstruction of key exhibitions and controversies sparked by East German art, in 1989 and beyond, suggests that the revision of the canon of art history may be faced with greater challenges whenever adopting the perspective of the close Other (political or ideological), rather than that of a remote Other (ethnic or cultural). The incorporation of the close Other into a uniform narrative on art history can be a moot point, most notably in those cases where the western concept of art calls for a necessary restatement, and one's identity needs to be critically redefined in the process. This is best exemplified by what happened in Germany after 1989.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorBalisz-Schmelz, Justyna
dc.date.accessioned2024-01-26T09:43:40Z
dc.date.available2024-01-26T09:43:40Z
dc.date.issued2020
dc.description.financePublikacja bezkosztowa
dc.description.number49
dc.description.volume2
dc.identifier.issn2190-3328
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/121723
dc.identifier.weblinkhttps://www.riha-journal.org/articles/2020/0249-balisz-schmelz-EN
dc.languageeng
dc.pbn.affiliationarts studies
dc.relation.ispartofRIHA Journal
dc.rightsClosedAccess
dc.sciencecloudnosend
dc.titleTerrified by the Close Other. Is the Postwar History of German Art Ready to Embrace "State Functionaries?
dc.typeJournalArticle
dspace.entity.typePublication