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Ikonografia dakini Dordże Phagmo w sztuce buddyzmu tybetańskiego na podstawie wybranych wizerunków

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dc.abstract.enhe aim of the article is to introduce the iconography of selected images of the dakini Dorje Phagmo, hitherto unpublished in any Polish research on Tibet. The descriptions are based on literary as well as iconographic sources, and are additionally illustrated for the benefit of the reader. This paper focuses on the figure of Dorje Phagmo in the art of Tibetan Buddhism and, to provide a wider context for this topic, also deals with such issues as the role of women in Tibet, feminine images in Tibetan art or types of literary sources used for the study of iconography.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorKoniuch, Paulina
dc.date.accessioned2024-01-25T03:44:05Z
dc.date.available2024-01-25T03:44:05Z
dc.date.copyright2020-02-19
dc.date.issued2020
dc.description.accesstimeAT_PUBLICATION
dc.description.financePublikacja bezkosztowa
dc.description.versionFINAL_PUBLISHED
dc.identifier.issn0033-2283
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/108930
dc.identifier.weblinkhttp://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.desklight-e2bb6d93-2bfd-47cb-8a4a-1d31f483a495
dc.languagepol
dc.pbn.affiliationculture and religion studies
dc.relation.ispartofPrzegląd Orientalistyczny
dc.relation.pages21-37
dc.rightsCC-BY
dc.sciencecloudnosend
dc.subject.enDorje Phagmo, Vajravarahi, Tibetan Buddhism, art, iconography
dc.titleIkonografia dakini Dordże Phagmo w sztuce buddyzmu tybetańskiego na podstawie wybranych wizerunków
dc.typeJournalArticle
dspace.entity.typePublication