Artykuł w czasopiśmie
Brak miniatury
Licencja
CC-BYCC-BY - Uznanie autorstwa
 

Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study)

Uproszczony widok
dc.abstract.enPrince Teodor Lubomirski staged 4 operas in his Polish estates: Venceslao, La fede ne'tradimenti, Mariane, Griselda (1725–1727). The Kraków prints of the libretti for the first 3 operas follow the Venetians prints (1722, 1721, 1724), while the Cracovian Griselda is a pasticcio probably prepared on the base of the variant of the opera staged in Venice in 1720 (mus. G. M. Orlandini). Acting as a patron of opera in Poland was a part of a Teodor's well-thought-out policy aimed at standing out against the other Polish aristocrats, at bringing entertainments to himself and his morganatic wife and at an attempt to break the society's aversion by means of offering the attractions that were hardly accessible in Poland at the time. The repertoire of his theatre was in perfect accord with such aims, especially taking into consideration Zeno's Griselda, allegorically enhancing the status of Teodor's own wife and children. Teodor's ephemeral musical hobby was by no means uncommon in 18th-century Poland. Like many other Polish aristocrats he saw opera as a good way to improve his own social status, but contrary to the West-European royal and princely courts, he did not perceive the genre as the medium of political propaganda that would be worth money. So at the end of the twenties, when Teodor returned to political life, he gave up his operatic interests.
dc.affiliationUniwersytet Warszawski
dc.contributor.authorRyszka-Komarnicka, Anna
dc.date.accessioned2024-01-24T18:35:21Z
dc.date.available2024-01-24T18:35:21Z
dc.date.copyright2018-12-31
dc.date.issued2018
dc.description.accesstimeAT_PUBLICATION
dc.description.financeNie dotyczy
dc.description.numberSupplementum
dc.description.versionORIGINAL_AUTHOR
dc.description.volume53
dc.identifier.doi10.5817/MB2018-S-13
dc.identifier.issn1212-0391
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/102181
dc.identifier.weblinkhttp://hdl.handle.net/11222.digilib/140873
dc.languageeng
dc.pbn.affiliationarts studies
dc.relation.ispartofMusicologica Brunensia
dc.relation.pages191-205
dc.rightsCC-BY
dc.sciencecloudnosend
dc.subject.enTeodor Lubomirski
dc.subject.enKraków
dc.subject.enVenetian Opera
dc.subject.enApostolo Zeno
dc.subject.enVenceslao
dc.subject.enLa Mariane
dc.subject.enGriselda
dc.subject.enLa fede ne'tradimenti
dc.titleBetween Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study)
dc.typeJournalArticle
dspace.entity.typePublication