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Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples

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dc.affiliationUniwersytet Warszawski
dc.contributor.authorRyszka-Komarnicka, Anna
dc.contributor.authorRyszka-Komarnicka, Anna
dc.date.accessioned2024-01-28T20:00:06Z
dc.date.available2024-01-28T20:00:06Z
dc.date.issued2021
dc.description.financeNie dotyczy
dc.identifier.doi10.1515/9783839448854-031
dc.identifier.urihttps://repozytorium.uw.edu.pl//handle/item/150579
dc.identifier.weblinkhttps://www.degruyter.com/document/doi/10.1515/9783839448854-031/xml
dc.languageeng
dc.pbn.affiliationarts studies
dc.publisher.ministerialWydawnictwo Transcript
dc.relation.bookOperatic Pasticcios in 18th-Century Europe. Contexts, Materials and Aesthetics
dc.relation.pages623-658
dc.rightsClosedAccess
dc.sciencecloudnosend
dc.subject.enVenceslao
dc.subject.enApostolo Zeno
dc.subject.enLondon
dc.subject.enKing's Theatre
dc.subject.enNicola Grimaldi
dc.titleApostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples
dc.typeMonographChapter
dspace.entity.typePublication